It was like a cartoon come to life for someone right out of film school.” It had babies, animals, explosions it was everything. It also had, at the time, very inventive camera work. It had a wacky script and wild characters. It was low budget enough where I was able to be up close to see a lot of things happening. “ was my first film and turned out to be a really lucky break.
First assistant director movie#
I really liked that movie and thought, ‘This really speaks to my sensibilities.’ I pursued getting on the film. “I'd seen their first movie, Blood Simple. Discovering that the Coen brothers were planning to shoot a film called Raising Arizona in Scottsdale, he contacted the production company and landed a job as a production assistant. Knowing no one in the film industry, Tignini was lucky to land a job on a feature right out of film school. It was amazing to see where some of our filmmaking masters get their influences from.” “Film school opened my eyes to world cinema, documentaries and classic films that I would not have been exposed to, things that I reference today. It always ended with kids wrestling on the ground, but we thought they were spectacular.”Īfter graduating high school in 1980, Tignini majored in film at San Francisco State, earning a bachelor's degree in 1984. It would be a few kids in the neighborhood and me, wearing werewolf and monkey hats, chasing whoever we deemed to be Charlton Heston. “We made three-minute rip off versions of other movies, like Planet of the Apes. There, he began making movies with his parents’ Super-8 camera. Born in New York, his family moved to Arizona when he was 10.
First assistant director professional#
Your eagerness and personality will get you the work.” Professional Profile: Eric Tignini, Second ADįrom the time he was a youngster, Eric Tignini knew he wanted to be a filmmaker. Then you can choose where you wish to stay as a production assistant and become an AD, or branch off and get into a specialized field. As a production assistant, you are allowed to see how all the different departments work. Jobs on films are very specific you specialize in your field. “People will realize right away that you're not good at any of those things.
“If you are applying for a job, I wouldn't even bother lying about your experience.” Some students fresh out of film school make the mistake of trying to present themselves as jacks-of-all-trades, proficient as a camera operator, a key grip, in set dressing, and any other position. “It's one of the best ways to get into the business,” says Tignini. One way to become a second AD is to first serve as a production assistant. You have to stay calm, be clear and polite.” Advice for Someone Seeking This Job You listen to a lot of people's problems. You have to be something of a diplomat on the set. You just tell them where you're shooting and when. Most of the time you'll find out that people are very good at their jobs and know exactly what you need. “Keep things simple when you communicate and try to treat everyone with respect,” says Tignini, “whether they are the highest paid actor on the show or the lowest paid crew member. The second AD must be a good listener and communicator. It's the only part of our job that people see on screen.” Special Skills Our job is to place those people in the frame and give them direction of what do to in the scene. Behind them are 300 to 400 people dancing, partying, eating, and having a good time: young and old, men, women, and children are running around in tuxedos and dresses. “Take a scene from The Godfather, where Al Pacino is talking to James Caan at the wedding.
The second AD is also responsible for setting background.
You're the first one there and the last one to leave.” A lot of people have said that the key second is the hardest job on the set. “If something is not on set, the first AD is going to hear about it so you hear more about the problems than you do about the things that are good: ‘Why didn't we bring so-and-so in earlier?’ (Because you told me to bring them in at this time!) You're the middleman. “Everything goes through the key second AD,” explains second AD Eric Tignini.
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